Sunday, January 27, 2013

Whether or not I get published

Whether or not I get published
image

A professor stumbled upon my Legal Research Paper on Scribd (which link I posted in facebook). He asked me if I wanted to write a short essay about the PWD rights, that might get published in the Inquirer.

I gladly accepted the offer ofcourse! And to be endorsed by a professor-columnist would, I think, make more chances of getting published.

I wrote then an article for one whole night until 6am in the morning. I had my adrenaline rush!
I wrote an article entitled MENTALLY DISABLED in PHILIPPINE SETTING: A CALL FOR EQUAL PROTECTION.

According to my professor the title was heavy so I changed the title.  Thereafter I sent a second email correcting a typo on the first sentence. After sending my 2nd email, I talked to my professor and he said it was for Youngblood!

Youngblood?!? I made a mistake. The article I wrote was a commentary. More of a news and informative article and I DID NOT USE THE PRONOUN “I” which most youngblood contributors regular do - so there wasn’t any personal touch.:(((

I thought it was for a commentary since this professor has a column for the inquirer and his former students and fellow teachers who make articles which he endorses are all not for Youngblood but commentaries.

So this morning, I edited it for the third time and sent my professor a text message:

Sir good morning. I have been overthinking since I sent you the last email dahil nahihiya na ako mag edit pa ulit. But I edited this morning anyway. Reason why, when I wrote it I didn’t know it was for Youngblood and I thought it was for a different section like commentary. Since Its youngblood, I edited this morning and made use of the pronoun “I”, made the text just a bit lighter and showed the reader that I was involved in the research. That way it has a more personal touch. I sent the new one this morning and I don’t know if you can still tell them to change it and consider this instead. At any case the first emails will do but I hope they will consider this. Pacencia na po sa istorbo ulit. Naomi.

I was waiting for his response but he did not reply until this afternoon via email and said:

Naomi, I already sent them the last version before this one, and promised it was already the final revision. Let’s just wait and see.

I have strongly endorsed your article for publication, but we will have to wait when it is actually published. This is not unusual. I have endorsed UP law professors in the past, and we just wait when their essays appear. I will keep you posted. 

This coming Friday, I’m leaving for a month-long fellowship in Bangkok. Let’s just keep in touch via email.

I was disappointed he wasn’t able to send my last revision but I had no choice but to tell him, “Okay Sir! No problem!”

Anyway, whether or not I get published, I am posting the 3rd and last revision I made (which wasn’t submitted to the Inquirer) for posterity:

A misunderstood disease 

Naomi Therese F. Corpuz is a Junior at U.P. College of Law. She is a mental health advocate, a blogger and chocolatier. 

“If you will not give me a valid reason why you skipped the exam, I will give you a failing grade,” said Maricar Estrella’s professor. Maricar (not her real name), a college student from one of the prestigious schools in the country, responded, “Sir, I have clinical depression and anxiety disorder. I was not able to study. I have prescriptions, medical receipts and a medical certificate to prove it.” The professor then replied, “You mean to tell me, you can skip an exam anytime you want?” With the professor’s response, it can be concluded he did not understand what depression and anxiety disorder mean. Even with pertinent documents that Maricar was willing to show to prove her mental illness, the professor brushed it aside. 

While teachers can invoke what they call “academic freedom,” that even illnesses cannot be excused – where then and how is the state policy found in our Philippine Constitution, which states, “the State shall protect and promote the right to health of the people and instill health consciousness among them,” put into place? Didn’t Maricar’s teacher violate this state policy of our basic law which is the supreme law of the land? 

If Maricar had another type of illness other than mental illness, would she have been given consideration by her law professor? In her interview, Maricar said it was likely she would’ve been excused due to sore eyes or high fever, similar to what happened to her other schoolmates. If other illnesses are given consideration, why not a mental disablity? 

Professor Patricia Daway in the college of law tasked us to write a supervised legal research and as a mental health advocate I chose the topic on mentally disabled Filipinos. And this is what I found. The mentally disabled are misunderstood. 

Worldwide, major depression is set to become second only to cardiovascular disease as the most diagnosed condition by year 2020. A World Health Organization document on Mental Health and Development in 2010 reports that one of every four households worldwide have members with mental health problems. Dr Lourdes Ladrido-Ignacio, a noted psychiatrist, said between 17 to 20 percent of the country’s adult population have psychiatric disorders. 

Mental disability is often misunderstood since its symptoms are only felt by the sufferer. Many relate mental disablity to the “sira ulo,” and are not aware of other types of mental disorders such as clinical depression, schizophrenia and bipolar among others. Such persons are not insane per se but fall under term mental disability and are considered Persons With Disabilities (PWD) protected by the Magna Carta for Disabled Persons. While people with mental disabilities are also PWDs who must be protected by the Magna Carta they are discriminated against in various forms. 

It is also important to note that there is no single mental health legislation for those with mental disabilities. The Department of Health (DOH) does have mental health policies, while the Magna Carta for Disabled Persons (RA 9422), a Republic Act, is not specifically for mental disabilities. The Magna Carta provides special rights and privileges for the physically impaired — their mobility is enhanced through sidewalks, railings, ramps and the like; the hearing impaired are benefited with TV stations encouraged to provide a sign-language inset or subtitles and telephone companies are encouraged to install special telephone devices for them. However if we dissect the Magna Carta no specific right or privilege is given to mentally disabled persons but there is for the“mentally retarded” under the provisions in Education. Mental retardation though is not synonymous to mental disability. Mental retardation is only one of the kinds of mental disabilities. In fact there are persons with mental disabilities with superior intelligence which is the complete opposite of mentally retarded persons. 

The Magna Carta also grants PWDs at least 20% discount in all basic services, such as the purchase of medicines and payment of professional fees of dentists and doctors. It is a step in alleviating the financial burden of the disabled, but it is not without any disadvantages. To avail of the discount, a person with disability must present an identification card with the term “Person With Disability” on it. The mentally disabled who will present the I.D. may be identified as “sira ulo,” since their symptoms are not apparent. It is best to make use of other terms such as, “Persons With Special Discounts,” which will not identify the patient to be mentally disabled. 

In insurance coverage, the Philippine Health Insurance only covers acute attacks of mental illnesses, subject to confinement. Dr. Israel Francis Pargas of Philhealth whom I interviewed said, patients confined with chronic physical illnesses such as leukemia, or in need of dialysis for kidney failure, are covered by Philhealth. If chronic physical illnesses are covered, why not cover chronic mental illnesses as well? Medical research shows, early intervention and compliance to treatment for mental disorders — which can be done through the support of an insurance coverage – can result in lesser dosage of medication and length of treatment. This, in turn, will decrease the need for insurance benefits, which would be beneficial to PhilHealth. 

It is unfortunate that Filipino psychiatrists are found to have a passive role in mental health legislation. In a survey-questionnaire I distributed during a conference of psychiatrists in Dusit Hotel in 2011, 90 out of 95 doctors surveyed were not familiar with the contents of the Magna Carta for Disabled Persons. This means that they are also unaware of the 20% discount they must provide to their patients as PWDs under the Act. Out of the 95 respondent-psychiatrists, 51 out of the 95 did not know that Philhealth insurance for their patients exists. 90 out of 93 respondents also did not know about the contents of the pending House Bill 6679, which pushes for the establishment of a “Philippine Council for Mental Health”. Filipino psychiatrists, as primary mental health providers, need to be more involved in the crafting of health laws affecting their patients, as they are supposed to be the prime movers of their patients’ rights. 

The equal protection clause enshrined in our Philippine Constitution mandates that our laws must be applied equally to all. If special considerations are given to persons with high fever or sore eyes in school, why not a student suffering from a mental disorder? If people with physical impairment and hearing impairment are given specific rights and privileges, why not also the mentally disabled? 

Any act that favors only a few is discriminatory and unjust not only to Maricar Estrella, but all mentally disabled Filipinos who all cry for equal protection.

— Still hoping to get my 2nd revision published though I like the one above (my third revision) better (fingers crossed).

Tuesday, January 22, 2013

The Mentally Disabled in Philippine Setting - A Legal Research

 As a mental health advocate, I made a legal research paper entitled,



THE MENTALLY DISABLED in PHILIPPINE Setting:
A Call for Equal Protection.
A Critique on the Rights and Privileges Of  Mentally Disabled Filipinos
And Their Place in Philippine Health Laws 
 

The term mentally disabilty does not only refer to the "sirang-ulo" or insane.  It covers all types of mental disorders such as schizophrenia, bipolar, major depression, anxiety disorders and addiction among others.  If you are a mental health advocate, you may download this legal research paper for your own perusal (Click Hyperlink below).  Rweet, Share by clicking the hyperlink below and Advance the rights of mentally disabled Filipinos
CHECK THE RESEARCH PAPER UPLOADED IN MY SCRIBD ACCOUNT WITH HYPERLINK BELOW:

This paper is a critique on the rights and privileges of mentally disabled Filipinos and their place in Philippine Health Laws.  The aim of this paper is to provide suggestions and recommendations and make known to all and sundry that persons with mental disabilities, have become highly prevalent and that they are real.  Considering the disease’s debilitating effects viz-a-vis other forms of illnesses, it must be given at least the same or even more, in terms of economic and insurance benefits under our health laws and aspects of education and labor. This research is also in consonance with the mission of the Philippine Psychiatric Association (PPA), among others, “to be committed to the welfare of its members and to the advancement of mental health care, education, advocacy and research in the Philippines and the global community.”

Collection, closes Dulaang UP’S 37th Season




Director and Choreographer: Dexter M. Santos
Playwright: Floy Quintos
Set design: Ohm David
Lighting design: John Batalla
Costume design: Raven Ong
Video design: Winter David
Photography: Jojit Lorenzo/Dino Dimar
Poster design: Pow Santillan
Layout and Graphic design: Aaron Misayah


Playdates:

First Week
February 13, 2012 (Wednesday)
February 14, 2012 (Thursday)
February 15, 2012 (Friday)
February 16, 2012 (Saturday)
February 17, 2012 (Sunday)

Second Week
February 20, 2012 (Wednesday)
February 21, 2012 (Thursday)
February 22, 2012 (Friday)
February 23, 2012 (Saturday)
February 24, 2012 (Sunday)


Third Week
February 27, 2012 (Wednesday)
February 28, 2012 (Thursday)
March 1, 2012 (Friday)
March 2, 2012 (Saturday)
March 3, 2012 (Sunday)



7:00 PM
7:00 PM
7:00 PM
10:00 AM & 3:00 PM
10:00 AM & 3:00 PM


7:00 PM
7:00 PM
7:00 PM
10:00 AM & 3:00 PM
10:00 AM & 3:00 PM



7:00 PM
7:00 PM
7:00 PM
10:00 AM & 3:00 PM
10:00 AM & 3:00 PM

Venue: Wilfrido Ma. Guerrero Theater, Palma Hall, UP Diliman
Venue Capacity: 290
Regular Ticket Price: Php 350.00

For inquiries about special booking (i.e. show buying, block buying, discounts), sponsorship and ticket reservations, please contact:

SAMANTA CLARIN / CAMILLE GUEVARA
Marketing Managers
0927-740-6124/0917-903-0727
dulaangupmarketing@gmail.com
Dulaang UP Office: 926 – 13 – 49



Synopsis:


What happens to a society that is overrun by greed and materialism? By shifting moral values and by acquisitive desires? Floy Quintos' new dark comedy, Collection, paints a disturbing picture of a society obsessed with conspicuous consumption, surface glamour and the endless, unquenchable pursuit of the next big thing.

In this artistic vision of a materialist hell, a fictional government agency, the National Commission on the Disposal of Philippine Patrimony, has sanctioned the sale of historical and national treasures. The proceeds of which go to a national lottery designed to alleviate poverty through dole outs. The auctioneer, the dashing and handsome Carlo Vibal, has successfully auctioned off many of these treasures.




At the controversial but wildly successful sale of the Banaue Rice Terraces, the other characters of the play are introduced. Helena, the government official who believes in giving dole outs to alleviate poverty; Tatiana, an international jeweler who sees her acquisitiveness as a way of giving back to society; Alphonse, a creative guru who sees history as nothing more than a reference for fashion and movies; Manolo, a business magnate wanting to build a systematic and effective society; Dr. Stephen Yan, a health and beauty magnate searching for scientific evidence of the soul's existence; Last of all, there is Gus, a young man who questions their motives and the legitimacy of their goals and desires.

The discovery of a 16th century ivory image of the Virgin of the Lost Souls stirs the acquisitive desires of the collectors. Each of them wants the Virgin for his own, each of them have their justifications for wanting it, all of them are willing to bid excessively to possess it. But the image is connected to the story of a mystic, La Hermana Augusta Beata. The Hermana's own story juxtaposes her faith and simplicity, against the excessive desires of the contemporary characters.



In the end, the auction pits not only the wealthy bidders against each other, but against the mass of Filipinos all wanting their share in the sale. But will it push through? Will one buyer own the image? Or will the sands of shifting morality cause the ground on which this fragmented society stands to crumble?
Directed with an imaginative and imagistic flair by Dexter Santos, whose staging of Orosman at Zafira has been hailed as groundbreaking, Collection promises to be both a visual feast as well as pointed social commentary. The powerhouse cast is composed of Alya Honasan, Adele Victorino, Alexander Cortez, Leo Rialp, Jeremy Domingo, Roeder Camanag, Jean Judith Javier, Red Concepcion, Via Antonio and the Dulaang UP ensemble.

Sunday, August 19, 2012

Delight/Delirium: A Palanca Festival


  Delight/Delirium: A Palanca Festival of Four One-Act plays
VENUE: Teatro Hermogenes Ylagan, Faculty Center, UP Diliman

Delight Delirium
Opening Night: August 31, 2012, 7pm
September 1-2, 3pm & 7pm

18 men, 2 beds, 3 beanbags, handcuffs, rope, and a swivel chair.


As his final output as a Creative Writing student, budding young playwright Riley Palanca offers “Delight/Delirium”, a festival of four one-act plays, under the supervision of multi-award-winning writer, Paolo Manalo. It runs from August 31 to September 2 at the Teatro Hermogenes Ylagan, Faculty Center, University of the Philippines, Diliman.

This festival of four one-act plays, under the direction of Arkel Mendoza, Chic San Augstin, J Victor Villareal, and Katte Sabate, looks into that triggering incident that shifts the dichotomy from the pains of delight into the logic of delirium. This is both a celebration and a lament of that psyche of an underground, masculine, and queer subculture, with each play layering deeper and deeper into the world of sex, drugs, rock ‘n’ roll, violence, rage, angst, war, power, and memories.

BRO
When five high school boys stumble into one of their friend’s basement to engage in their usual drug sessions, little did they know how it would be the night that would change them. As they get more and more inebriated, each boy zooms in on an incident in their group’s life, breaking down the barriers between individual and group, ultimately leading them to question why they became friends in the first place.

VIPER
In a post-apocalyptic Philippines where the Clergy has taken control of the government and homosexuals are being massacred, Viper, a high-ranking rebel soldier, attempts to resurrect his murdered lover by kidnapping and interrogating an imperial priest about the whereabouts of a specific body part — only to find out that its discovery comes at a price of its own.

MAGKANO
One night that could have been typical for two people: the first throwing himself into the world in search for himself; the second, willing to oblige — for a price. Both callboy and client are trapped in an endless negotiation about boundaries and fetishes. When the games begin, their whole philosophies on love, sex, and relationships (the big three) might get either reaffirmed or shattered beyond thought.

LITTLE BLACK BOOK
Who owns a memory? Who steals a memory? Is a memory a fragmentation of truth or the weaving of a lie? What are these men, are they men, are they characters, are they caricatures, or are they ultimately ideals? One man questions his present by rooting through his past, clawing through the shards that make him whole. A confession with no penance.

For inquiries, please contact Riley at +639159705508 or e-mail him at palanca.riley@gmail.com. Please follow our Facebook fan page (http://www.facebook.com/delightdelirium2012) for more updates.




Monday, July 23, 2012

A Call to Cinemalaya

Movies have been receiving good reviews. I am just wondering WHERE we could get or buy film copies of CINEMALAYA after they are shown, in a legit way like mainstream movies. I noticed they become unsearchable after a cinemalaya fest which shouldn't be.

Tuesday, July 17, 2012

College Students Dare to Stage Horror Play


stage veteran Jeremy Domingo



Dulaang Kalay, the student theatre organization of Kalayaan College, brings one of London's longest-running plays to Manila: Stephen Mallatratt's The Woman In Black, a ghost play based on the novel by Susan Hill.

As one of the world's very few horror stories told on stage, The Woman In Black tells the tragic story of Arthur Kipps through a performance with his hired Actor. As they re-enact the strange occurrences during Kipps' short stay in Eel Marsh House, they soon discover that a malevolent figure refuses to be exorcised— and has returned to haunt them.

Reb Atadero of "Rizal X" and "Bare"


This chilling tale will be presented by stage veteran Jeremy Domingo and Reb Atadero (Dulaang UP's Rizal X, blueREP's Bare), with direction by William Elvin Manzano. Performances will be in T.E.A.T.R.I.N.O., Greenhills Promenade, on August 31, 2012. If you dare to see this play, contact Gabe Ongkiko at 09054283371 for booking inquiries. To learn more head on over to the official page on FaceBook: www.facebook.com/DKTheWomanInBlack

The Woman In Black
adapted by
Stephen Mallatratt
from the book by
Susan Hill

Dulaang Kalay
Production Managers: Gabe Ongkiko and Nicole Nequinto
Stage Manager: Pao Cantiller
Stage Hand: Tim Villa Real

Cast:
Jeremy Domingo as Actor
Reb Atadero as Kipps

Artistic Staff:
Director: William Elvin Manzano
Original Music: Janine Santos
Lighting Design: Meliton Roxas
Sound Design: Alden Acosta
Technical Direction: Nina Bedruz
Set Decoration: Nissi Gatan

Monday, July 9, 2012

Samiweng Singers Champion the World Choir Games


SAMIWENG SINGERS of Ilocos Norte emerges as champion in Folklore category and silver in Youth of Equal Voices category in the World Choir Games in Cincinnati, Ohio.
The Sawiweng Singers who emerged winner in two categories is composed of two groups in the World Choir Games in Cincinnati Ohio.
The first group is for the younger batch category, "YOUTH OF EQUAL VOICES," where they received a silver score of 19.99, while Miriam Highschool Glee Club of Quezon City (formerly Maryknoll) emerged as champion with only a difference of 0.01.  For the video, click HERE.
The second group, composed of older students emerged as champion in the  FOLKLORE CATEGORY besting 61 choirs all over the world earning them GOLD IV with a gold score of 20. They received a standing ovation.
 
Part 1
 
Part 2
Brilliant performance! 'Nuff said!
Congratulations again to Professor Robert Caluya, the coach, for instilling in these children discipline and hardwork, as always.
Samiweng Singers, not only a pride of the North but also our country, the Philippines!